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The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat., The pianist walked on the stage as the eyes of Mrs. Wopp and Moses rested on Betty. Howard Eliot had not taken his gaze from Nell Gordon expecting momentarily to catch her glance and to be rewarded by a smile. A smile radiated her fair face, but alas! It was not for him., He was not more inquisitive than other boys, yet the mystery, the many uncanny tales told of the old house, fired him with a desire to know its secrets. Long before he was born a murder had left its stain there. The owners, suspected but unconvicted, moved away; and for years the house stared vacantly at passers. The coming of the Italians had only increased its bad name. Late travellers on the lonely road declared that shadowy forms and flickering lights passed the lower windows and down into the cavernous basement; yet no sounds ever came from behind the barred doors..